9.5″ Saraswathi with Veena on Lotus Base | Handcrafted Brass | Antique Green Finish
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This handcrafted brass Saraswathi sculpture stands 9.5 inches (25 cm) tall, 5.5 inches (14 cm) wide, and 6 inches (15 cm) deep, weighing approximately 3.5 kg, and is finished in an antique green treatment that lays a deep, mineral-toned oxidation across the full figure and lotus base while allowing the raised edges of the ornamentation, facial features, and veena to surface with a warmer, darker brass tone throughout.
The figure is cast in brass and hand-finished in the seated posture canonical to Saraswathi iconography — the goddess seated cross-legged on a broad, fully opened lotus base, the body upright and composed, with the veena held diagonally across the torso, the lower hands positioned at the instrument's body and neck in the posture of active playing. The upper left hand is raised with the fingers curved in a gesture of refined articulation. The face is serene and symmetrical — wide-eyed with carefully defined lids, a measured expression, and a central mark on the forehead. The crown is elaborately stacked, tapering to a rounded finial, with tiered ornamental bands and floral relief worked across its full height. The figure wears layered necklaces, armlets, and a detailed waistband rendered in close cast relief, with the lower garment incised in fine surface patterning from waist to knee. The lotus base is generously proportioned, with broad, deeply carved petals arranged in a full circular tier that grounds the entire composition with structural and iconographic weight.
Saraswathi is the goddess of knowledge, learning, music, and speech in the Hindu tradition. She is invoked before study, artistic practice, and the recitation of sacred texts. Her association with the veena specifically ties her to the origins of classical music and the idea that disciplined sound is a path to liberation. This seated form, with the goddess engaged in playing rather than simply holding the instrument, reflects a living, active relationship with creative and intellectual pursuits that has made her one of the most widely venerated forms in Indian devotional practice.
Brass, an alloy of copper and zinc, has been used in Indian devotional and decorative objects for centuries. It carries meaningful weight relative to its size, accepts intricate casting detail reliably, and provides a warm, durable surface well suited to patinated finishes that hold and deepen over time.
The antique green finish applies a deep, even oxidation across the full sculpture — figure, veena, and lotus base — producing a mineral tone consistent with aged ceremonial metalwork. The raised areas of the crown, necklace, veena body, and lotus petal edges retain a subtly warmer brass tone, creating a layered visual depth across the surface. Handcrafted pieces carry natural variation in the depth and distribution of this finish.
This sculpture is well suited for a puja room, home altar, gifting on Saraswathi Puja, Vijayadasami, or educational milestones, or as a collector's piece in classical Indian devotional brass forms.
Note: At Cosmic Studio, every sculpture is individually handcrafted, ensuring no two pieces are exactly alike. Minor variations in color, texture, and detailing are a natural result of the artisanal process and are considered marks of authenticity. These unique characteristics, along with potential differences in lighting and screen displays, may cause the product to appear slightly different from the images shown.
Handcrafted — every piece varies by ±3%. That variation is the mark of a human hand, not a flaw.
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Frequently Asked Questions
We use high-quality brass with a copper-to-zinc ratio appropriate for idol casting. The alloy is sourced from trusted suppliers and hand-worked by our artisans.
Yes. Brass is naturally antimicrobial, develops a rich patina with age, and is considered auspicious in Hindu tradition. It is durable, easy to maintain, and improves in character over decades of worship.
Yes. Every piece is hand-made by artisans in Swamimalai, Tamil Nadu. We do not use machine casting or machine finishing at any stage.
Yes, and that is intentional. Minor variations in weight, finish tone, and surface texture are the natural result of hand craftsmanship. No two pieces are identical — this is a mark of authenticity, not a defect.
Wipe gently with a soft dry cloth. Avoid chemical cleaners. For deep cleaning, use warm water and mild soap, then dry immediately. Do not expose to prolonged moisture.
Yes. Brass and Panchaloha naturally develop a patina with age and worship. Many devotees consider this deepening of color sacred — a sign the idol is living with the family.
Yes, for orders above a certain size. Contact us via WhatsApp to discuss size, finish, and iconographic requirements. Custom orders typically take 6-8 weeks.
Sizes listed are approximate. Hand-finishing means each piece may vary by 2-5mm. Finish tones may vary slightly batch to batch.
Shipping & Care
How We Pack It
Every idol is individually wrapped in soft cloth and nestled in foam casing inside a double-walled corrugated box. We have shipped to 25+ countries without a single breakage complaint.
Orders are dispatched within 2-3 working days. Domestic delivery takes 5-7 days. International shipping takes 10-15 working days via tracked courier.
How to Care For It
Wipe regularly with a soft, dry cloth. Avoid chemical cleaners, acidic solutions, or abrasive pads. For occasional deep cleaning, use warm water and mild soap — dry immediately after.
Brass and Panchaloha naturally develop patina over time. If you prefer the original finish, apply a thin coat of coconut oil monthly.