5″ Bird | Super Fine Brass | Polished Finish
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This handcrafted bird sculpture, cast in super fine brass, stands 5.5 inches (14 cm) tall, 3.5 inches (9 cm) wide, and 3.5 inches (9 cm) deep, weighing approximately 550 g, and depicts a long-necked water bird — closely resembling a hamsa or sacred goose — in an upright, alert posture with wings partially spread, standing on a circular tiered base.
The sculpture is produced using traditional lost-wax casting, a technique that makes the density of ornamentation across this figure possible at this scale. The neck is worked in an intricate scale pattern rendered in fine relief, each row of feathers individually resolved and graduating in size from the base of the neck upward toward the smooth, polished head. The body carries an elaborate field of scrolling filigree-style openwork across the breast and midsection, framing a central register of densely packed raised ornamentation. The wings are extended slightly outward and are worked with layered, directional feather rows — each primary feather individually articulated with a raised central spine and bracketed by smaller secondary detail. The tail region carries a continuation of the scale pattern, and a beaded collar band marks the transition between neck and body. The circular pedestal is worked with a continuous register of leaf and petal motifs in relief, surmounted by a beaded upper border. Super fine brass casting is what allows the openwork filigree, individual feather articulation, scale patterning, and pedestal relief to remain crisp and legible throughout the composition at this scale.
The hamsa — the sacred goose or swan — holds a significant place across Indian philosophical and devotional traditions. In Hindu thought, it is associated with Saraswati, the goddess of learning and wisdom, and is regarded as a symbol of discernment: the hamsa is said to possess the ability to separate milk from water, a metaphor for the discrimination between the eternal and the transient. It also appears in yogic tradition as a reference to the natural rhythm of breath, and in classical Sanskrit literature as a messenger of refined sensibility. Its form has been a recurring motif in Indian temple sculpture, manuscript illustration, and decorative metalwork for centuries.
Brass, an alloy of copper and zinc, has been central to Indian devotional and decorative metalwork for centuries. It holds fine cast detail with fidelity, carries a warm tonal depth that develops with time, and is structurally durable — qualities that make it suited for both active ritual use and long-term display.
This piece carries a polished finish, visible in the warm bright gold tone across the raised surfaces of the head, neck scales, feather rows, filigree body panels, and pedestal relief, with darkened recesses in the openwork channels, feather gaps, and petal motifs that give the composition its definition and depth. Handcrafted pieces carry natural variation in surface texture and tone between individual sculptures.
This bird sculpture is well suited for a home puja room, a personal altar, gifting on occasions such as Saraswati Puja, Diwali, or housewarmings, or as a collector's piece in classical Indian decorative and devotional metalwork.
Note: At Cosmic Studio, every sculpture is individually handcrafted, ensuring no two pieces are exactly alike. Minor variations in color, texture, and detailing are a natural result of the artisanal process and are considered marks of authenticity. These unique characteristics, along with potential differences in lighting and screen displays, may cause the product to appear slightly different from the images shown.
Handcrafted — every piece varies by ±3%. That variation is the mark of a human hand, not a flaw.
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Frequently Asked Questions
We use high-quality brass with a copper-to-zinc ratio appropriate for idol casting. The alloy is sourced from trusted suppliers and hand-worked by our artisans.
Yes. Brass is naturally antimicrobial, develops a rich patina with age, and is considered auspicious in Hindu tradition. It is durable, easy to maintain, and improves in character over decades of worship.
Yes. Every piece is hand-made by artisans in Swamimalai, Tamil Nadu. We do not use machine casting or machine finishing at any stage.
Yes, and that is intentional. Minor variations in weight, finish tone, and surface texture are the natural result of hand craftsmanship. No two pieces are identical — this is a mark of authenticity, not a defect.
Wipe gently with a soft dry cloth. Avoid chemical cleaners. For deep cleaning, use warm water and mild soap, then dry immediately. Do not expose to prolonged moisture.
Yes. Brass and Panchaloha naturally develop a patina with age and worship. Many devotees consider this deepening of color sacred — a sign the idol is living with the family.
Yes, for orders above a certain size. Contact us via WhatsApp to discuss size, finish, and iconographic requirements. Custom orders typically take 6-8 weeks.
Sizes listed are approximate. Hand-finishing means each piece may vary by 2-5mm. Finish tones may vary slightly batch to batch.
Shipping & Care
How We Pack It
Every idol is individually wrapped in soft cloth and nestled in foam casing inside a double-walled corrugated box. We have shipped to 25+ countries without a single breakage complaint.
Orders are dispatched within 2-3 working days. Domestic delivery takes 5-7 days. International shipping takes 10-15 working days via tracked courier.
How to Care For It
Wipe regularly with a soft, dry cloth. Avoid chemical cleaners, acidic solutions, or abrasive pads. For occasional deep cleaning, use warm water and mild soap — dry immediately after.
Brass and Panchaloha naturally develop patina over time. If you prefer the original finish, apply a thin coat of coconut oil monthly.