11.5″ Rishabadevar | Handcrafted Panchaloha | Green Patina Finish

This 11.5-inch Rishabadeva sculpture is handcrafted in Panchaloha, the traditional five-metal alloy used in South Indian sacred bronzes, and finished in an antique green patina. The figure stands at a measured 29 centimetres in height, weighs 2,600 grams, and follows the classical Chola iconographic tradition in both form and proportion.

The sculpture is cast using the lost-wax method, a technique that demands the craftsperson model the figure in wax with complete precision before investing it in clay and pouring molten metal. Every detail visible in this piece — the layered ornamental belt at the waist, the fine necklace at the chest, the knotted dhoti drawn high, the ringed armlets, the carefully articulated ankle ornaments — reflects hours of hand-finishing after casting. The jata, Shiva's matted locks, are arranged here in a compact turban-like crown, rendered with controlled surface texture consistent with serpents woven into the hair. The face carries a calm, inward expression, the eyes wide but still, the features proportioned with the restraint characteristic of Chola-period bronzes.

This posture depicts Rishabadeva, a specific form of Shiva as Lord of the Bull, in which his right hand naturally assumes the position of resting upon Nandi's back — though the bull is not physically present in this representation. The gesture carries its meaning independently. Nandi in the Shaiva tradition embodies dharma, disciplined devotion, and steadfast guardianship. Shiva's bond with the bull communicates his role as the upholder of cosmic order and the destroyer of ignorance.

Panchaloha is a mixture of Copper, Zinc, Tin, Gold & Silver. It is valued for its density, structural integrity, and the warmth it develops over time through use and handling.

The antique green patina on this piece is achieved through controlled finishing, giving the surface the appearance of a heritage object aged across generations. As with all handcrafted work, natural variation in tone, surface texture, and fine detailing will exist between individual pieces. This sculpture is suited for a home puja room, a curated altar space, or as a serious collector's acquisition in South Indian bronze iconography.