18.5″ Kalinga Krishna (Krishna on Snake) | Handcrafted Brass | Antique Brown Finish
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This handcrafted brass sculpture of Kaliya Krishna — the young Krishna subduing the serpent Kaliya — stands 18.5 inches (47 cm) tall, 7 inches (18 cm) wide, and 5.5 inches (14 cm) deep, weighing approximately 5.6 kg, and is finished in an antique brown treatment that settles a deep, oxidized tone across the entire surface with warmer brass tones emerging at the raised relief areas of the face, ornaments, and base.
The figure is cast in brass and worked by hand, following the iconographic conventions of this well-established form. Krishna is depicted mid-dance atop the flared hood of the Kaliya serpent, his weight balanced on one foot while the other leg is raised at the knee in a dynamic stepping posture. His right arm extends outward and upward, gripping the serpent's tail as it curves in a long arc to his side — a compositional device that gives the sculpture considerable lateral presence. His left hand holds a small object, consistent with traditional depictions of this form. The expression on the face is calm and assured, not combative, which is iconographically accurate — the Kaliya episode in the Bhagavata Purana concludes with grace rather than destruction. The headdress is a tall, tiered crown with a feather element and tassel ornaments framing the face. The torso is adorned with layered necklaces and a broad chest ornament, all rendered with fine bead-level surface detail. The waistband and lower garment carry incised relief work throughout. Beneath Krishna's feet, the multi-hooded cobra is depicted with its central hood spread wide, a small suppliant figure — likely Kaliya's wife — cast in relief at the hood's center. The entire composition rises from a stepped, tiered rectangular plinth with carved foliate border work along each register.
The Kaliya Krishna narrative, drawn from the tenth canto of the Bhagavata Purana, describes the young Krishna's descent into the Yamuna river to overcome the poisonous serpent Kaliya, whose venom had rendered the river deadly. By dancing upon the serpent's hood until Kaliya submitted, Krishna is understood to have restored order and protection to the community of Vrindavan. In Indian devotional tradition, this form is read not merely as a story of physical conquest but as an assertion of dharmic authority over destructive forces. The image has been rendered in temple sculpture and votive bronze across India for well over a millennium.
Brass, an alloy of copper and zinc, has been used in Indian devotional and decorative objects for centuries. It accepts fine casting detail reliably, carries meaningful weight relative to its size, and provides a warm, durable ground for oxidized and antique surface treatments.
The antique brown finish applies a deep, even oxidation across the entire surface, drawing the eye into the carved recesses of the serpent scales, ornament borders, plinth reliefs, and garment folds. The effect produces a surface that reads as aged and considered, with a quiet warmth rather than high contrast. Each handcrafted piece carries natural variation in the depth and distribution of this finish.
This sculpture is well suited for a puja room, a home altar within Vaishnava devotional practice, or as a substantial piece for collectors of classical Indian devotional brass work.
Note: At Cosmic Studio, every sculpture is individually handcrafted, ensuring no two pieces are exactly alike. Minor variations in color, texture, and detailing are a natural result of the artisanal process and are considered marks of authenticity. These unique characteristics, along with potential differences in lighting and screen displays, may cause the product to appear slightly different from the images shown.
Handcrafted — every piece varies by ±3%. That variation is the mark of a human hand, not a flaw.
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Frequently Asked Questions
We use high-quality brass with a copper-to-zinc ratio appropriate for idol casting. The alloy is sourced from trusted suppliers and hand-worked by our artisans.
Yes. Brass is naturally antimicrobial, develops a rich patina with age, and is considered auspicious in Hindu tradition. It is durable, easy to maintain, and improves in character over decades of worship.
Yes. Every piece is hand-made by artisans in Swamimalai, Tamil Nadu. We do not use machine casting or machine finishing at any stage.
Yes, and that is intentional. Minor variations in weight, finish tone, and surface texture are the natural result of hand craftsmanship. No two pieces are identical — this is a mark of authenticity, not a defect.
Wipe gently with a soft dry cloth. Avoid chemical cleaners. For deep cleaning, use warm water and mild soap, then dry immediately. Do not expose to prolonged moisture.
Yes. Brass and Panchaloha naturally develop a patina with age and worship. Many devotees consider this deepening of color sacred — a sign the idol is living with the family.
Yes, for orders above a certain size. Contact us via WhatsApp to discuss size, finish, and iconographic requirements. Custom orders typically take 6-8 weeks.
Sizes listed are approximate. Hand-finishing means each piece may vary by 2-5mm. Finish tones may vary slightly batch to batch.
Shipping & Care
How We Pack It
Every idol is individually wrapped in soft cloth and nestled in foam casing inside a double-walled corrugated box. We have shipped to 25+ countries without a single breakage complaint.
Orders are dispatched within 2-3 working days. Domestic delivery takes 5-7 days. International shipping takes 10-15 working days via tracked courier.
How to Care For It
Wipe regularly with a soft, dry cloth. Avoid chemical cleaners, acidic solutions, or abrasive pads. For occasional deep cleaning, use warm water and mild soap — dry immediately after.
Brass and Panchaloha naturally develop patina over time. If you prefer the original finish, apply a thin coat of coconut oil monthly.